Second hand cartier love bangle
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I think somebody had said to me if you do a foundation there it’s easier to get into a degree, so I came up to London and did, I’d like made my portfolio and my dad came up with me we actually went and applied to a few like the Slade I can’t remember, a few other art schools, St Martin’s was the thing, I totally remember getting the letter through - it was like, it was so overwhelming it was amazing, so that was kind of It then, I was off really. I’d sort of decided, so when you do an art degree, you do an, like you do a foundation year first, and then you go onto a degree so I decided I was going to apply to do foundation at St Martin’s rather than go to a local art school. JCC And so with your parents’ support you went all out to try and win that place on the foundation course at St Martins’ tell us tell us what was that like? Cos I also was quite academic as well and a lot of my, when I decided I wanted to go to art school, I had the classic teachers going on such a waste, one of them said you’ll just end up being a painter and decorator you know you should be applying to Oxford, I was like I don’t want to, I wanna go and make art, so yeah it was kind of a bit of a mix with school but yeah my folk were definitely all for it HM My parents definitely so, I’d say school kind, I went to like a local comp and the art department wasn’t huge but obviously I kind of loved it and I did have a really great – one of my art teachers was really fab and kind of like really encouraged me but I think it was more my parents than anything else. JCC Yeah sounds it and were you creative at school was it something that was encouraged in your environment? I think I roped my poor little sister into doing it so we were always making stuff, doing stuff. HM yes I think I was actually, or at least we did a lot of – I’ve got a little sister as well and we did spend much of our childhood like making things, and my mum always likes to remind me of the fact that I used to like to find something I could do like a like a fan factory and I’d make like 400 of them until I got completely bored of it then I think of something else.
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JCC Oh Hannah well, can we travel back in time do you think can we travel back to your childhood? for someone is super creative as you obviously are were you are very creative child? JCC Not be too overachieving about things! I think I feel like there was this pressure as well, everybody was like this is the time to write your novel, do this do that, can we just deal with the fact there’s a pandemic happening? Can we just do that and not worry about being super creative, and not be like a genius? HM Yeah it was easy to be too daunted to start with. HM Absolutely, trying not to go into panic mode yeah be cool about it all JCC yeah that’s a good way of putting it assessing the situation, I like it, like a General campaigning, haha But um but yeah it has been, once the initial trauma was over, it has been really nice actually in some ways around it I feel had we had a collection launch in the midst of everything, so that kind of kept me busy, lots of time to assess the situation I suppose I’ve been so freaked out really, like a rabbit in the headlights. I wish I could say that lock down happened then I got really creative. JCC So Hannah we’re just about emerging from lockdown, tell me what was your experience, what it’s been like for you? Hannah welcome to the podcast I can’t wait to see what you’ve got for us inside your Vault! Hannah founded her own workshop in Clerkenwall, East London in 2006, since when her work has straddled the gender divide as well as confronting norms of beauty and function.
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Hannah is a leading designer whose fine jewellery collections emit a uniquely edgy energetic aesthetic.
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JCC I’m so excited to welcome Hannah Martin to the podcast. INSIDE THE JEWEL VAULT WITH HANNAH MARTIN